Kit Design Tutorial for BeginnersHere

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Check the date of publishing for this one, folks. We hope you enjoy, and what does the truth matter anyway?

 

The Arsenal 1988-1990 Home kit has always intrigued me, so when I was provided with some very interesting information about it, I enlisted the help of the brilliant MuseumofJerseys.com to tell the world.

“If it looks like a duck, swims like a duck and quacks like a duck, then it probably is a duck.”

The duck test, which may have long been subconsciously applied to this particular kit by hundreds of football fans, before being bypassed with head-scratching resignation, has, it turns out, come good again.

For one who cares so much for baselayers, to have not written about this particular subject before is quite the oversight. Sorry, to be clear, I've certainly written about baselayers - like here - but this article acts as a 15th anniversary celebration of a concept that, bizarrely, seemingly came from nowhere, then went straight back there: The dual-layered football shirt.

In 2002 - and we'll stick with this as a launch date, even if some may have come some months earlier - Nike and adidas, those two titans of football kit design - certainly then - came along with kit designs that brought something a little fresh to the table. Not only was there an outward appearance, but the players had an inner lining, which, to a degree, even contributed to that aforementioned appearance.

As someone who blogs on the subject of football shirts pretty regularly - 42 in nine years is pretty good going, right? - I don’t tend to buy the things all that much. I’m a little portly, and knocking on, and recently, when BBC Radio Merseyside were discussing the new Liverpool Home kit prior to another John Devlin guest appearance, someone called in to point out that “If you’re older than the players who wear it, don’t buy the shirt”.
 
It is a fair point. Certainly the wearing of said items is, or could be perceived as, a little unbecoming. As I say, I don’t have the build of a footballer. Not an association footballer, certainly. Think whatever’s in between a back and a forward in rugby, pre-Woodward era. And then mix that with the naked guy on the shark.

As you may have seen, Gerard Piqué, FC Barcelona defender and fierce Catalan separatist (apparently), has decided to retire from international football (after the next World Cup - it’s de rigueur) over some trim, or lack thereof, on his Spain shirt.
 
Rot! It’s rot, I tell you! But let’s wind this back a touch...
 

Here's another you may have heard, but now you'll find it with the all-enhancing notes.

Austin Long came back on the podcast to talk to me about this season's Manchester United kits by adidas. It was a few weeks ago now, from before the season started, but you should find it's still worth a listen, as we discuss the past, present and, pertinently, the future of Man Utd kit design.

So, hot on the heels of Podcast 5 - on football kit sponsorship, with John Devlin - we thought we'd approach the next installment a little differently, with a public service bent.

Jason Lee has been a friend of the site for many years, helping out with a hugely popular FC St Pauli competition, and many reading this will be aware that he has a distinguished pedigree, having worked as an apparel (read "kit") designer with both adidas and hummel (now freelance). We simply had to get him on.

Latest Comments

@RedCardConceptsthanks i never read your comment yet, but no, it was not a good shirt...i have encountered too many problems during the creative process...the bear s face...never mind
atalanta has ever been with nike? i think so....then it was the case for 2 goddesses on same shirt, one was atalanta and the other was nike 
 with sponsor nowso the concept again.....the glass was shattered by the sword cutting through it...so to represent the sword in their crest not by its shape but its effect on ...
non faccio in tempo per lo sponsor...
dont have time for the sponsor...i was too tiredconcept is...a sword, the one in the crest, cuts and shatters glass, therefore the presence of the sword or its cut is ...
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